Last March, I heeled up to the counter at “McRobuchon” at The Four Seasons in New York and had myself one expensive yawn. At least, that’s how I characterized it in a blog post.
But, that was a sensationalistically broad-stroked summary. If you read that post, you’ll see that L’Atelier de Joël Robuchon is much more than a yawn. For those who are willing to engage in it, it’s a dialogue. And, that is why, more than a year later, I, the ever-willing food conversationalist, decided to return.
As previously observed, the food at L’Atelier is not the type that will raise goose skin (though the prices may). It’s not the kind of cooking that will make you slap the table in heated excitement or cause you to vault out of the restaurant in maddened, gustatory ecstasy.
My initial indictment against Robuchon’s food was that it “lacked soul.” It’s perfectly executed and extremely thoughtful, but shockingly expensive. My second meal reconfirmed this.
Is the food “haute” (this was a topic of a lively debate among my foodie friends)? I say that it most definitely is. Is it French? Yes, some of it is. A lot of it is Asian, and leans toward Japanese in that respect. But, some of it is Italian, and pan-Mediterranean too.
Robuchon’s food defies definition (except, expensive). It’s not molecular gastronmy. It’s not classically anything, either. To call it contemporary seems inappropriate too. As noted, Robuchons’ creations draw upon multiple cultural cuisines and techniques. Even the plating style is entirely and wholly L’Atelier - what I call Star Trek, with a pinch of Asia. Continue reading ‘review: a yawn revisited…’
















